Why Trail Reports and Videos Are Stripped of the Creator’s Feeling

beesayatv trail reports and videos are intentionally stripped of the creator’s feelings.

I see this project as an archive rather than an adventure channel. The purpose is to document and map Cebu’s changing trail networks as objectively as possible.

Trails change. Paths disappear, new routes emerge, vegetation takes over, roads are built, and communities expand. What exists today may not exist in the same form years from now. The footage is therefore a record of what was actually there when I passed through.

The Trail Is the Main Character

Did I suffer in the mountains? Of course.

There are difficult climbs, heat, exhaustion, uncertainty, and uncomfortable moments. But those are my experiences, not necessarily characteristics of the trail.

The main character is not my ego.

It is the trail.

Personal feelings, discomfort, and drama are therefore deliberately kept out of the documentation. The more I make the hike about myself, the more I place an emotional filter between the viewer and the landscape.

Removing that filter allows the trail to speak for itself.

No Music, No Manufactured Emotion

The absence of dramatic narration and background music is intentional.

Music can tell the viewer when something is beautiful, dangerous, exciting, or emotional. Narration can tell them how they are supposed to interpret what they see.

I would rather let the environment provide that information.

Footsteps, wind, birds, insects, water, motorcycles, distant voices, and other natural sounds are part of the field record. They do not need to be replaced with a soundtrack.

A Sterile Approach

The resulting videos may feel “sterile.” That is deliberate.

I approach the mountains more like a field observer than a performer. The trail, landscape, sounds, structures, vegetation, and surrounding communities are the subjects being documented.

In this sense, I treat trail networks almost like public infrastructure or a scientific subject: something to be observed, mapped, and recorded rather than turned into a story about me.

This does not mean the hikes are emotionless. It means the emotions belong to me, while the trail belongs in the archive.

My job is not to become the story.

My job is to preserve the story of the place.